![]() Duffy and his team used two Pica Cube models in their design. That ability, combined with their ultra-compact footprint, enabled the crew to tuck and hide Pica Cubes throughout the set, including eleven lights that were masked behind a wooden beam that was only 12”-18” high. ![]() The solution for the moving scenery wagons was the Rosco Pica Cube, which the lighting crew was able to power using 12v batteries. “This allowed us to use a single fixture, with uniform color space, across a wide variety of purposes within a single scenic element.” These lens options also proved to be a key factor in their choice, Duffy noted. The Miro and Pica Cubes both ship with a set of symmetrical spread lenses. The majority of the available color space looked aesthetically pleasing not only on painted surfaces, but also when used to illuminate the actors.” “They not only mixed a variety of saturated colors, but also performed well when mixing pastels and various color temperature whites. “The overall color space of the fixtures was also appealing,” Duffy added. The team had a demo of the Rosco Cube lights and were impressed by the smooth, 16-bit dimming curve, especially at lower levels. “The Rosco line of LED fixtures was attractive from the outset due to its physical size, 4-color mixing system, and advertised illuminance,” said Duffy. While searching for the right solutions to these issues, Duffy and his team discovered Rosco’s Pica Cube™ and Miro Cube ® lights. Tyler Duffy, Lighting Design Manager at Sight & Sound, reported that, because much of the scenery lived on large wagons, they needed “a fixture that could be used in a battery-powered set piece that necessitated low power consumption as well as a low physical profile.” In addition, the entire 270-degree stage would be flooded with light and a wide range of effects for most of the show, so they also needed “a fixture that would stand up to the brightness of other automated and conventional lights illuminating the stage in and around these scenic elements.” Once they returned, the designers faced two daunting challenges.
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